The author of Mararía dead. A Canarian gets to be a finalist for the Nadal in 1973. In Las Palmas and Tenerife make it a great success and in the newspapers of the islands, as the Day, make critical considerations in an outstanding manner. Are now prophets in the land. Juan Cruz with his chronicle of the blue pieces, is also awarded, then seventy-three, and with determination and literary virtuosity has opened a route that has come today, this week in October 2009 with a prize: Prize for his novel Comillas Scrambled Egos, the University of Comillas. "Defining and Understanding", the title of a written text to paraphrase how do these young writers lyrical prose, some more than others, but marked by the reality of the sixties in the islands and deepening a individualistic writing or irrational dreams of his former literary mentors from 27, 36 or 50. A Latin American literature and breaking be framed in the depths of their own lives that leads them to be creative and leave what gripped them, not only island but the very fact of a heavy postwar looking for new ways to be creative and free. Rafael Arozarena dead. La Orotava (Tenerife ) is an institute that bears his name. There's a movie like his most famous work Mararía . Of these films such Betancor, who have their own public. Some parents and students who knew Institute Arozarena and are able to find value to a poet and novelist canary that makes writing with stories set in rural places, the poor and tormented lives and make balance between fiction, sleep and myths that arise in craters and lava negras.En the Library Orotava has compiled the work of Arozarena as a tribute to poet and novelist who has left us. At least he recognizes the writing itself how it will be lasting. The novel had a nationwide circulation, was published in Noguer . In the seventies began to publish books and even a few canaries editorial, and publishing workshop, is located in Madrid. There is a postwar recount was needed. Modes of writing, painting and theater, they could not be relegated or neglected into oblivion.
In all these villages was life, there were comments, there was the need to keep cut much experience, so much suffering and so much knowledge. There was the need to find channels to the creation and the fruition of such saved seed as well. The text of
Mararía is an excellent introduction to an expert in critical theory, Manuel Torres Stinga , which has helped me understand the resources that this author used to tell a story of an ordinary woman in a village Lanzarote forgotten.
is a writing that tells and describes objects, shapes, and a nice language, not folkloric abused, nor psychologism unnecessary. Create harsh environments, bored, almost sterile, yet keeps your attention by using stylistic devices that give more to perpetuate a story that can not ever forget and has sought to make a product paradigm.
The universality of this writing that has achieved lyricism that has made so many in previous generations found in the innards, the feeling, the emotion and give importance to the workers , the " petudos ", dreams, shapes that occur when you are drugged and hassle than it is to endure a superstructures, which are similar in a lot of times past, when body that requested the change, revolution or liberation, especially social class and the absurdities mythologized. Read the book
Mararía is sucking up to a man who created a wonder. Give a broadcast to these men who have observed, they have suffered, who wanted to get into the skin of characters who have spent years and years of life in ways subject to territories that seem to speak for themselves. This writer went to work wonders and in turn making the graduates of these islands have been able to hear and enjoy someone who dreamed and created a living poetry and committed .
territories, its forms, myths and their similarities to the stories of its people, are also stories of our humanity, of the land that is supported by the fire and our feverish minds colorful flowers and fists to the sky.
In the Punta de Teno in Tenerife and nearby, in a sort of Andalusian tragedies were developing like Yerma Garcia Lorca . They are places where field workers or fishermen, or maids in love, that the superstructure religious or chieftaincies impose forms of life. Young, beautiful women, passions and all those men you dream, wish but with infinite bitterness wine and break the cards and create the drama and recompose the fictionalized stories of certain people, certain places fraught with hate, love and stories to keep you awake.
Arozarena , not dead. Live in Mararía . The egos scrambled Juan Cruz, seem the Psychosynthesis already that nothing Chronicle pieces, which served as the analysis looking for the definition and explanation of a young writer Islands. CRUZ PEDRO
SACRAMENTO, CORRESPONDENT NOTICIASDELGENIL . COM IN THE VALLEY OF THE OROTAVA . TENERIFE
pedrocruzsacramento@gmail.com
http://www.noticiasdelgenil.com/
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