[Prebienal Events: Poetry track ]
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From poetry ...
is clear that the city is a place where imagination combine to transit from one place to another. The city does not exist in itself, but has a body that is built based on the various branches that form. Thus, the city seen from a literary perspective, there is the extent to which one thinks, is singing and the muses. The poetic work that takes into account the city, is intrinsically linked to architecture, as this is the poetry of the forms and structures. In short, the poetry and architecture mislaid: the one from the floor and the other from the form without mutually exclusive. This project is established in this endeavor, enabling the symbiosis of word and form, offers the possibility of thinking of the city from the two categories.
From the ...
The primary objective of the event is to explore how merging the city, architecture and poets that inhabit it. The relationships between the environment and the artistic expression of a people are inextricably linked. No one can speak of modern poetry without reference to the emergence of the industrial city and the new consciousness that was made between its tracks, in their neighborhoods and cafes, with their chimneys and deposits. In this new era of mega-urbanization GLOCALIDADES mass migration, it is worth pausing to think about new ways that contemporary poetry is gaining in Quito, a city overflowing its banks at an unprecedented rate, as is full of cars and steam, while paving the environment in a uncontrollable shaking.
Gaston Bachelard in his book The Poetics of Space , aims to uncover the deep structures that take shape in the field of myth and poetry from space made concrete and tangible. The metaphors of heaven and hell, the attic and basement, the threshold, the maze are just some of the telluric forces that open field to inject power vital to the poetry of authors like Baudelaire.
A collaboration between the Architecture Biennale Quito and Alliance Française made this interesting meeting between architects, poets and citizens allowed us to explore the poetics of our space, of Quito, in this city of monasteries, hives , streams and tombs, through the voices finally "audible" of our young poetry.
participants Poets: Christian Arteaga, Samuel Tituaña, Fernando Escobar, Walter Jimbo, Marcelo Villa, Jorge Gomez, Edison Lasso, Carlos Luis Ortiz, Alex Tupiza, and Edwin Javier Madrid Ceval
is clear that the city is a place where imagination combine to transit from one place to another. The city does not exist in itself, but has a body that is built based on the various branches that form. Thus, the city seen from a literary perspective, there is the extent to which one thinks, is singing and the muses. The poetic work that takes into account the city, is intrinsically linked to architecture, as this is the poetry of the forms and structures. In short, the poetry and architecture mislaid: the one from the floor and the other from the form without mutually exclusive. This project is established in this endeavor, enabling the symbiosis of word and form, offers the possibility of thinking of the city from the two categories.
From the ...
The primary objective of the event is to explore how merging the city, architecture and poets that inhabit it. The relationships between the environment and the artistic expression of a people are inextricably linked. No one can speak of modern poetry without reference to the emergence of the industrial city and the new consciousness that was made between its tracks, in their neighborhoods and cafes, with their chimneys and deposits. In this new era of mega-urbanization GLOCALIDADES mass migration, it is worth pausing to think about new ways that contemporary poetry is gaining in Quito, a city overflowing its banks at an unprecedented rate, as is full of cars and steam, while paving the environment in a uncontrollable shaking.
Gaston Bachelard in his book The Poetics of Space , aims to uncover the deep structures that take shape in the field of myth and poetry from space made concrete and tangible. The metaphors of heaven and hell, the attic and basement, the threshold, the maze are just some of the telluric forces that open field to inject power vital to the poetry of authors like Baudelaire.
A collaboration between the Architecture Biennale Quito and Alliance Française made this interesting meeting between architects, poets and citizens allowed us to explore the poetics of our space, of Quito, in this city of monasteries, hives , streams and tombs, through the voices finally "audible" of our young poetry.
participants Poets: Christian Arteaga, Samuel Tituaña, Fernando Escobar, Walter Jimbo, Marcelo Villa, Jorge Gomez, Edison Lasso, Carlos Luis Ortiz, Alex Tupiza, and Edwin Javier Madrid Ceval
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